I signed up to take a photography class this spring at the Penland School of Crafts in the North Carolina mountains. This one week class focuses on pinhole photography and other alternative processes, combined with digital manipulation. While this is an interesting class, mainly I wanted to take any non-traditional photography class to expand my creative thought process. I have been taking the same kind of pictures for a long time (old school, black and white film, natural light, manual camera), and I want try some new things beside different subject matter. As I have some more time to shoot pictures, this is a good time to do this.
“This class will begin with students making pinhole cameras, paper negatives, and contact prints. Then we will scan, copy, manipulate, and play with our images. Our exploration of alternative processes will include acrylic lifts, Lazertran, Xerox transfer, and more. We will make simple book forms and tin frames for presentation.”
I got my acceptance letter today, and it really is like camp. I have to be there at a certain time on Sunday for check-in. After moving into our quarters (I chose a double room over dorm accommodations), we have a class orientation, then dinner, then more class time before bed. It should be a lot of fun, but totally different from anything I have done for a long time.
Abandoned Factory on the edge of Downtown Lynchburg
CSX Diesel hauling a coal train through Downtown Lynchburg
This photo essay is by Michael Hughes. It’s a very simple idea, but the execution is where it flies. You need to match the right souvenir with the right perspective. It is also a great comment on travel that combines the capturing of the memory of travel with the kitsch of tourism.
The project began in 1999 on a cold, grey November day on assignment at the Loreley cliffs near Mainz, Germany. The postcard in my pocket for my daughter looked much better than the real place, so I held it up in place and shot. Little did I know I was beginning a series that would continue to this day.
The rules are simple: Only use souvenirs that you can actually buy at the place, and you must be able to hold it with one hand.
Vote for this photo to be included in JPG Magazine in the Dreamscape category.
What is the face of Virginia Tech? Let the Hokies show you for themselves. AP photographer Evan Vucci set up a remote camera to give students and alumni an opportunity to capture their own emotions.
Virginia Tech: A Self-Portrait
There is an online/print photgraphy magazine called JPG that I have recently encountered. People upload photos according to a series of themes, and site users vote on the best photos. The winning photos are printed in the magazine.
I tried uploading the above photo (theme: reflection) that was about 1MB in size (shot at the 2nd highest setting of my camera), and it was rejected because the resolution was too low. It was 1600 x 1200 and the requirements are minimum 2200 pixels in its smallest dimension. They require this resolution for print. Since this is photography magazine, I’m sure they want to have the flexibility to print large photos, so I definitely understand the requirements.
The effect this has on the quality of work is that the photos are already self-selected by shooters who have at least pro-sumer level cameras. The other option is to shoot film, as I’ve done and get the negatives scanned at high-res.
If you are looking for a way to make poster sized versions of your photos, go to The Rasterbator. It is a very flexible tool that creates individual PDF pages that you can print out. I tried to limit the amount of paper required, and I didn’t have enough resolution on the output. I need to experiment more but it seems cool.
I just discovered a new comic strip, What the Duck (www.whattheduck.net). It is about a duck who is a photographer. Very funny, especially if you’ve ever been involved in a photoshoot.